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Working on starting lines on as many different notes (relative to the chord) as possible. Also working on some arpeggio (chord) superimpositions – mostly the dominant 7 built on the second degree above the root (i.e. using the #4 for a lydian dominant sound). Working on stabilizing my 2nd octave G & G# (cracking for some insane reason), and, of course altissimo (Ted Nash book).